




Īfter working as a member of Production Baobab (1988–1998), Koyasu established his own representative office, T's Factory, in 1998. In 2000–2001, he was active in music under the name ZAZEL. He also formed the voice acting unit "Weiß" consisting of voice castmates Shin-ichiro Miki, Tomokazu Seki and Hiro Yūki, and became the first male voice actor to appear on the cover of a voice acting magazine and the first voice actor to make a music clip. In the late 1990s, Koyasu worked on conceptualizing for the media franchise Weiß Kreuz. He also said that when he was playing the character, he thought he was really great, but when he watched the footage again later in life, he thought he was terrible at it, which led him to believe he was making progress. Koyasu himself has often said in interviews that this is his favorite character, and after a period of sluggish performance, he put his voice acting career on the line to play the role, which ultimately led to his recovery. In Tekkaman Blade, Koyasu played the main character's rival, Tekkaman Evil (Shinya Aiba). As a result, the results of the readers' poll were rejected, and Koyasu was given the role of Hades' subordinate Minos, a role with little screentime. However, at the time, Koyasu was still an unknown name in the voice acting industry, and the production members voiced their concerns about giving the lead role to a newcomer like Koyasu. Since Koyasu had appeared in Shurato shortly before this, he had some recognition among the viewers, and he received the most votes for the role of Hades, the main character. The OVA was based on a fantasy manga of the same name that was being serialized at the time, and the voice actors for the main characters were to be decided by a magazine reader's vote. He later said that although his name recognition as a voice actor had increased, he did not feel like he was doing his best.Īfterwards, Koyasu played the role of Minos in the OVA Aries released in 1990. Although he was a regular character in the series, he was in the position of a villain whose inner workings were rarely discussed in the story, so it was difficult for Koyasu to grasp the role and he had to do several dozen retakes for a single line. In 1988, he made his voice acting debut in Wowser, and in 1989, he played his first regular character as Gai, the King Yaksha in Legend of Heavenly Sphere Shurato. This sparked his interest in voice acting, and since then it has been his policy to aim for "three-dimensional acting." After graduating from high school, he entered a training school. By chance, he saw the scene before Tetsurō Hoshino's departure in Adieu Galaxy Express 999 where a group of nameless soldiers take him on the 999 and send him on his way, and was impressed by it.
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When Koyasu was in junior high school, he, as an aspiring screen actor himself, was such a movie buff that he would watch movies every day without going to school. Koyasu has taken over many of the characters played by Kaneto Shiozawa after his death. His son is Kōki Koyasu ( 子安 光樹, Koyasu Kōki ), a fellow voice actor. He is affiliated with and representative of T's Factory, a voice acting agency he founded in October 1998. Takehito Koyasu ( 子安 武人, Koyasu Takehito, born May 5, 1967) is a Japanese voice actor from Kanagawa Prefecture, Japan. For more guidance, see Wikipedia:Translation.You should also add the template to the talk page.A model attribution edit summary is Content in this edit is translated from the existing Japanese Wikipedia article at ] see its history for attribution. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation.If possible, verify the text with references provided in the foreign-language article. Do not translate text that appears unreliable or low-quality.Consider adding a topic to this template: there are already 3,513 articles in the main category, and specifying |topic= will aid in categorization.Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.View a machine-translated version of the Japanese article.
